Lecture

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Harpo Marx

The Anatomy of Harpo Marx

ABOUT 

  • ABOUT Wayne Koestenbaum

    Wayne Koestenbaum is a poet and critic. He also works as a professor of English at The City University of New York's Graduate Center and a visiting professor at the Yale University School of Art. His poetry collections include Model Homes, The Milk of Inquiry, and Ode to Anna Moffo and Other Poems. He has also written a novel, Moira Orfei in Aigues-Mortes, and the nonfiction works Andy Warhol, Cleavage, Jackie Under My Skin, The Queen’s Throat (a National Book Critics Circle Award finalist), and Double Talk. Koestenbaum's latest book is a hybrid of fiction and nonfiction titled Hotel Theory.

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What seems to excite me about this is that Harpo wants to see his inner lunacy rendered outward to become the norm.       

Click play to listen. Recorded on November 14, 2009.

It’s always tough to shine in the shadow of your siblings, especially if your last name happens to be Marx. Harpo Marx rarely uttered a word, but his rubber-band limbs and signature harp spoke volumes. Poet and cultural critic Wayne Koestenbaum shares his contagious enthusiasm for the silent hilarity of the mostly mute Marx brother in this one-of-a-kind lecture, which he describes as “a loving annotation, a midrash of Harpo.”

Above: Photograph of Harpo Marx in the 1935 film A Night at the Opera.

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