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Nuclear Weapons Might They Become A Thing of the Past?

ABOUT 

  • ABOUT Peter Sellars

    Peter Sellars is a theatre, opera and television director and a professor of World Arts and Cultures at UCLA. He has previously served as Artistic Director for several festivals and has received acclaim for his adaptations of Le nozze di Figaro, Don Giovanni, and Così fan tutte. He has been awarded The Dorothy and Lillian Gish prize and Erasmus Prize among other accolades.

    Profile
  • ABOUT Jonathan Schell

    Jonathan Schell is the 2005 Distinguished Visiting Fellow at the Yale Center for the Study of Globalization.  In recent years, he has devoted himself professionally and personally to writing and speaking on the nuclear issue, and he is frequently consulted by both members of Congress and the media. His recent articles on the nuclear question include essays in The Nation, Foreign Affairs, and Harper's, of which he has recently become a contributing editor.

    Profile
  • ABOUT Kennette Benedict

    Kennette Benedict is the executive director and publisher of the Bulletin of the Atomic Scientists, a magazine established by Manhattan Project scientists in 1945 to inform the public about the dangers of nuclear weapons and other catastrophic threats to humanity. As the former director of the international peace and security program at the John D. and Catherine T. MacArthur Foundation, she established and directed the foundation's initiative in the former Soviet Union.

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Click play to listen. Recorded on November 11, 2007.

The nuclear saber, hanging in the closet, continues to rattle on occasion. On the verge of the Lyric Opera’s Chicago premiere of John Adams’ J. Robert Oppenheimer opera Doctor Atomic, the production’s director Peter Sellars is joined by Jonathan Schell, journalist and author (The Fate of the Earth, The Abolition), and Kennette Benedict, executive director of the Chicago-based Bulletin of the Atomic Scientists (which has reported on risks from nuclear weapons since 1945 when it was founded by scientists who had worked on the Manhattan Project), to consider what should, and could, be done to finally rid the world of nuclear weapons. Moderated by CHF artistic director Lawrence Weschler.

Generously sponsored by Ploughshares Fund. Presented in partnership with Lyric Opera of Chicago. Lawrence Weschler’s participation is made possible through a significant gift from board member Marilynn Thoma and Carl Thoma.

Image is of the "Little Boy" atomic bomb at the National Museum of the United States Air Force. (U.S. Air Force photo)

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