Demonstration

  • E-Mail
    (e.g. amandasmith@gmail.com)

    (Please separate multiple email addresses with commas.)

    (You may use or edit the message above.)

  • PRINT
  • Share

  • TEXT SIZE
Singer

Seeing the Singing Voice

ABOUT 

  • ABOUT Lorraine Manz

    Lorraine Manz is an associate professor of singing at Oberlin College Conservatory of Music and director of the Otto B. Schoepfle Vocal Arts Center. A mezzo-soprano, she has been featured as soloist in orchestral and oratorio throughout the United States performing with conductors including Leonard Slatkin, Robert Spano, and Bridget-Michaele Reischl.

    Profile
  • ABOUT Brian Mextorf

    Bass-Baritone Brian Mextorf is currently a junior at the Oberlin Conservatory of Music, studying voice with Associate Professor of Singing Salvatore Champagne. In his time at the Conservatory, Brian has performed in Oberlin Opera Theatre's productions of Mozart's Cosí fan tutte (Don Alfonso) and The Magic Flute (Speaker), as well as Massenet's Cendrillon (Chorus). In November 2010, Mr. Mextorf will perform the role of Kecal in Smetana's The Bartered Bride with the Oberlin Opera Theatre.

    Profile
  • ABOUT Gerard Michael D’Emilio

    Praised for his “exceptional stage and vocal presence,” bass-baritone Gerard Michael D’Emilio is a senior, double-degree student at Oberlin College and Conservatory of Music studying under Associate Professor of Voice, Lorraine Manz. D’Emilio was also the bass soloist in the world premiere of Leave Me Alone, a new jazz opera written by Dan Plonsey and performed at Oberlin in January 2009. Outside of Oberlin, D’Emilio both conducts and sings on The Mighty Wurlitzer Radio Hour, a seasonal radio program on 104.9 WCLV.

    Profile
Click next to learn more...

1 of 1

Recorded on November 6, 2010.

Have you ever listened to an accomplished singer and wondered, “How does that person produce that incredible sound?” At Oberlin Conservatory, professors of singing have pioneered the use of visual and auditory technology as a feedback tool, revealing through science what has long remained mysterious about the singing  voice. In a live demonstration, conservatory singers’ voices will be shown with an acoustic display to delve into some of these questions: What makes a good operatic voice? What are the commonalities and differences? How are opera singers heard over an orchestra without use of a microphone? The program will also include a sampling of different singing styles and a “look” at some of the premiere vocalists of our time. Featuring Lorraine Manz, associate professor of singing and director of the Otto B. Schoepfle Vocal Arts Center at the Oberlin Conservatory.

This program is presented in partnership with Oberlin College.

Learn More

Similar Programs

Spoken Word

The Body: Spoken

This spoken word program showcases  new voices in this storied  tradition  and considers  the body as human,  as metropolis, and imagined in ways yet undiscovered. With appearances from poetry slam veterans and writers as young as eleven, this round robin–style performance  will illustrate the humor, complexity, and beauty that define what shapes us all: our bodies.

blog comments powered by Disqus